Reba McEntire and Darius Rucker delivered a stunning performance of “In The Ghetto” at the CMA Awards, providing a heartfelt salute to the legendary Mac Davis.
In November 2020, during the 54th Annual Country Music Association (CMA) Awards, co-hosts Reba McEntire and Darius Rucker delivered a moving rendition of “In the Ghetto,” honoring the late songwriter Mac Davis. Originally written by Davis and famously performed by Elvis Presley in 1969, the song depicts the ongoing struggles of poverty and violence in urban areas. McEntire and Rucker’s performance struck a chord, emphasizing the song’s lasting significance.
Reba McEntire, often referred to as the “Queen of Country,” has a career that spans over forty years. Born in 1955 in McAlester, Oklahoma, she began her musical career with her family’s band, the Singing McEntires. After signing with PolyGram/Mercury Records in 1975, McEntire quickly rose in the country music ranks, achieving numerous chart-topping songs and receiving multiple awards. Beyond her music career, she demonstrated her versatility by starring in the television sitcom “Reba,” which aired from 2001 to 2007.
Darius Rucker’s musical journey is equally impressive. Born in 1966 in Charleston, South Carolina, he first gained fame as the lead singer of the rock band Hootie & the Blowfish. The band’s debut album, “Cracked Rear View,” became one of the best-selling albums ever. In 2008, Rucker made a successful transition to country music with his debut album “Learn to Live,” which produced several No. 1 singles and established him firmly in the country genre.
Their collaboration on “In the Ghetto” was more than just a tribute; it was a fusion of two distinct yet harmonious voices. The minimalist arrangement allowed their vocals to take center stage, offering a fresh take on the classic song. The performance received widespread praise, with many lauding their sincere delivery and the song’s ongoing relevance.
Choosing “In the Ghetto” was especially meaningful given the socio-political climate of 2020. The song’s themes of systemic poverty and its effects mirrored contemporary discussions on social justice and inequality. By performing this classic, McEntire and Rucker connected the past with the present, reminding audiences of music’s power to address societal issues.
After the live performance, McEntire and Rucker released a studio version of their duet, making it accessible on various streaming platforms. This allowed fans to relive the performance and introduced the song to a newer audience, ensuring its message continued to reach listeners.
Both artists have continued to advance in their careers. McEntire has ventured into entrepreneurship with a clothing line and a restaurant, showcasing her business acumen. Meanwhile, Rucker has been working on new music, blending his rock background with country influences, highlighting his adaptability as an artist.
Their joint performance at the CMA Awards exemplifies the enduring power of music to unite and inspire. By paying tribute to Mac Davis and revisiting “In the Ghetto,” McEntire and Rucker honored a musical legend while underscoring the timeless nature of songs that address the human experience.
As the music industry evolves, performances like theirs serve as reminders of the genre’s rich heritage and its ability to tackle important societal themes. McEntire and Rucker’s version of “In the Ghetto” stands as a testament to how artists can use their platforms to reflect and impact the world around them.
For those who missed the live show, the studio version offers a chance to experience their remarkable collaboration. The track not only honors the past but also speaks to current issues, encouraging listeners to think about the stories that shape our society.
In revisiting “In the Ghetto,” McEntire and Rucker have preserved Mac Davis’s legacy, demonstrating the enduring power of storytelling through music and its capacity to foster empathy and understanding across different generations.