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Incredible Skill: Playing Bohemian Rhapsody with All Limbs While Reading Music Simultaneously

Josh Stafford is a highly accomplished organ recitalist who has established himself as a formidable presence in the orchestral music world over the years. A Yale School of Music alumnus with a Master of Music degree earned in 2012, he has built an impressive career that spans diverse musical styles. In 2020, his career reached a new milestone when his rendition of a classic Queen hit went viral, drawing millions of viewers on YouTube and introducing his remarkable talent to an even broader audience.

Despite his extensive musical background and expertise, tackling a song as iconic as Bohemian Rhapsody is a challenge even for a musician of his caliber. Originally the lead single from Queen’s album “A Night At The Opera,” this song is revered for its intricate structure, dramatic dynamic shifts, and multiple musical sections. Yet, Josh Stafford manages to capture the essence and magic of this legendary track through his masterful performance on the organ, showcasing his skill and innovative approach.

The organ that Josh plays is no ordinary instrument—it is the largest pipe organ ever constructed, a fact that has earned it a spot in the Guinness Book of World Records. Housed in Boardwalk Hall in Atlantic City, this colossal instrument was completed in 1929 by Midmer-Losh. With an astonishing 33,112 pipes spread across 447 ranks and an impressive 7 manuals, this majestic organ represents the pinnacle of engineering and musical craftsmanship.

Delivering a performance on such a monumental instrument is an achievement in itself, yet Josh Stafford pushes the boundaries of what is possible. As Bohemian Rhapsody transitions into its famous rock section, viewers are treated to a display of extraordinary dexterity. Not only does he skillfully command the keyboards with his hands, but he also employs his feet to play an additional set of bass keys, adding another intricate layer to the performance that underscores his versatility and technical prowess.

This particular organ, recognized as the largest pipe organ on the planet, features a staggering seven keyboards on its upper section, with another set of keys located beneath that further expands its range. The sheer scale and complexity of this instrument provide a unique challenge and opportunity for performers like Josh, who harness its full potential to create a sound that is both powerful and emotionally stirring. His ability to control such an elaborate instrument is a testament to his skill and dedication to his art.

For those interested in hearing a more traditional side of his artistry, Josh Stafford also offers a beautiful interpretation of the timeless Christmas carol “Oh Come All Ye Faithful.” This performance is particularly fitting given his roles as Director of Music at the Riverside Presbyterian Church in Jacksonville, Florida, and as the Director of Sacred Music at the Chautauqua Institute in New York. In these positions, he embraces the spiritual and classical dimensions of music with the same passion he displays in his recitals.

Beyond his reputation as a top-notch recitalist, Josh has also distinguished himself as an accomplished improviser and a skilled accompanist for silent films. His ability to create spontaneous musical narratives in real time, while still delivering precise and engaging performances, highlights a versatility that few other musicians can claim. This multifaceted talent further solidifies his status as one of the most innovative and adaptable organists in the modern music scene.

While many of our musical features focus on full-band performances, there is something inherently extraordinary about an organ recital. The unique capabilities of the instrument allow for a wide range of tonal colors and dynamic expressions that few other instruments can match. Josh Stafford takes full advantage of these qualities, delivering performances that are not only technically proficient but also deeply moving, leaving a lasting impression on audiences who experience his work live.

Indeed, the organ is far more versatile and expressive than it is often given credit for, and Josh Stafford is a master at demonstrating its full potential. His artistry transforms the instrument into a storyteller, one capable of conveying a complex range of emotions and narratives with each performance. With every recital, he pushes the boundaries of traditional organ music, proving that this ancient instrument can still captivate and inspire audiences in the modern era.

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